The Entropy Machine

1994

The Entropy Machine was a demographic installation. The installation tried to figure out what the audience preferred to look at. The software and the audience collaborated in making images. The audience was part of an interactive process, but unaware of their role. The artist initiated the system.

The installation
A metal housing was placed on the floor. The sides were closed with reinforced plastic fabric. A monitor was standing inside the box. The monitor was surrounded by six Petri dishes containing bacteria cultures. A greenhouse.

The software randomly picked initial images from a library. The library consisted of approx. 50 different screen images. All the images were directly related to biology or to the installation. E.g. scanned texts, illustrations from old biology books, old photos from the artist's family album, or plans of the installation itself. All texts were appropriate citations - but not explanations.

The technique
A Cellular Automata algorithm slowly changed the image on the monitor. Information was altered generation after generation. The picture is permuted. The current generation number was shown on the screen. After a large number of generations, the process started all over with a new image. When the image changed, the CA algorithm was changed by a genetic algorithm. A digital thermometer placed in the box supplied a mutation seed for this software algorithm. The heat generated inside the box also fed the bacteria inside the Petri dish The growth rate of the image evolution and the evolution of installation software was controlled by measuring the heat-radiation of the guests around the installation (using infrared sensors).

History
The Entropy Machine was shown at Kunsthal Charlottenborg in 1994. At this exhibition, five large prints of generated images were hung on the wall behind the machine. At the ISEA95 exhibition in Montreal, a selection of generated images were shown as slides inside Petri dishes on a light table.

In 1995, the Entropy Machine received an honorary mention at Prix Ars Electronica, Austria.

Four years after making this installation I became aware of Rudolf Arnheim's excellent essay "Entropy and Art" from 1971.


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